Sunday 7 September 2008

Download James Moody mp3






James Moody
   

Artist: James Moody: mp3 download


   Genre(s): 

Other

   







Discography:


Homage
   

 Homage

   Year: 2004   

Tracks: 11






James Moody has been an insane asylum in jazz since the late '40s, whether on tenor, bubbly flute, casual alto, or yodelling his way through his "Moody's Mood for Love." After serving in the Air Force (1943-1946), he united Dizzy Gillespie's bop orchestra and began a lifelong friendly family relationship with the trumpeter. Moody toured Europe with Gillespie and then stayed overseas for various geezerhood, working with Miles Davis, Max Roach, and top European players. His 1949 recording of "I'm in the Mood for Love" in 1952 became a strike under the title of "Moody's Mood for Love" with hellenic vocalese lyrics written by Eddie Jefferson and a best-selling arrangement by King Pleasure. After returning to the U.S., Moody formed a septet that lasted for five geezerhood, recorded extensively for Prestige and Argo, took up the flute, and then from 1963-1968, was a fellow member of Dizzy Gillespie's fivesome. He worked in Las Vegas usher bands during a gravid deal of the seventies before returning to jazz, playing now and again with Gillespie, more oft than non working as a drawing off card and recording with Lionel Hampton's Golden Men of Jazz. Moody, globe Health Organization has alternated betwixt tenor (which he prefers) and alto throughout his vocation, has an original sound on both horns. He is in any case unitary of the best flutists in malarkey. James Moody has recorded as a leader for Blue Note, Xanadu, Vogue, Prestige, EmArcy, Mercury, Argo, DJM, Milestone, Perception, MPS, Muse, Vanguard, and Novus.





Bloc Party bring 'Intimacy' to Reading Festival

Thursday 28 August 2008

Joe Biden�s Book a Bestseller, and All It Took Was a V.P. Nomination

Getty Images



Joe Biden's pick as Barack Obama's running mate hasn't just saved the Obama campaign � it's saved Biden's literary career! Sales of the hair-plugged senator's boilerplate political tome, Promises to Keep, had been disappointing since it was released in July of 2007. But over the weekend Biden's sales got a bump, and he's rocketed into the top 30 on Amazon. Sadly, Evan Bayh's Argentina's Economic Crisis: Hearing Before the Committee on Banking, Housing, and Urban Affairs, U.S. Senate wasn't so lucky, and remains stuck at No. 6,058,222.

Biden Book Is a Hit [NYT]
Related: How Biden May Head Off Latent Obama Backlash [Daily Intel]







More info

Monday 18 August 2008

Jockeying for position

AXLE Whitehead, known for exposing himself at the ARIAs, may be enjoying musical success, but he's still having wardrobe problems. Plus, watch his new video here.


While doing the promotion for debut single I Don't Do Surprises, Whitehead endlessly relived exposing himself on stage during the 2006 ARIA awards.

If the endless discussion of his nether regions began to grate, it was nothing compared to the video shoot for Surprises.

��I had really bad chafe that day,'' Whitehead says. ��I had the wrong jocks on. We tried to do nine locations in one day, it was 40-degree heat, everything went wrong. At least this is a nice, controlled environment.''

We're on the set of Whitehead's second video, Anywhere. It's an insanely cool warehouse apartment in West Melbourne. Whitehead's been here since 5am and he's come prepared.


Click here to see the video of Axle Whitehead's new single, Anywhere


��I have the right underwear on today,'' he notes. ��Never wear big seams on your boxer shorts, they destroy you down there.''

Whitehead's parents have made the trip from Warrnambool to spend the Saturday watching their son in pop-star mode.

��It was interesting watching my father see me with a face full of make-up,'' Whitehead says.

��They've never been part of the process, I guess it's good to see your child doing what they do.

��He doesn't know what goes on behind the scenes. Wait 'til he sees me in drag.''

Director Bart Borghesi (The Living End, the Galavatrons, Eskimo Joe) has filled the warehouse with many props - bicycle wheels on stands, pendulums and gyroscopes.

��Bart heard the song and went �I'm hearing motion','' Whitehead says.

��I love how directors link sounds to visuals and rhythms. So we're playing on the concept of motion, rather than just having some dude chilling in a warehouse.''

The video for I Don't Do Surprises followed Whitehead prowling the streets with a mysterious parcel, with the clip ending before revealing what was inside the box.

Anywhere solves the mystery from the get-go.

��We thought of so many things we could put in there,'' Whitehead says, ��from a wedding invitation from an ex-lover to my grandma's ashes.''

As the video shoot drags on, Whitehead finds himself endlessly singing Anywhere while doing everything from riding a bike indoors to taking a bath - in front of a crew.

He's the opposite of a diva, talking to his mother (who calls him Alex) about opera and hanging with his local friends on the set he hasn't seen since relocating to Sydney last year.

��Videos are still a novelty for me,'' Whitehead says. ��I know people moan about them, and the last video was a 20-hour shoot, but being a country boy you've got to work from sun up to sun down.

��I love working as hard as I possibly can.I've got the easiest job, the crew work far harder than I do. I love the challenge of working hard and not settling for second best.''

It's the same approach Whitehead has taken to his debut album Losing Sleep.

The record was made with Robert Conley, best known for his work with Darren Hayes' solo career.

Anywhere is one of only two songs Whitehead had no creative input on.

��Rob came home from London with this song,'' Whitehead says. ��I had no idea he was doing it, the album was pretty much completed. But I loved it, we had a crack at it, gave it a new arrangement and in two days we had the next single. It came out of left field. As long as I can connect to a song, I don't care who wrote it.

��Rob and I are already planning the next record. We want to go to Africa and India and record some music there and bring it back to make into a pop record.

��This album's eclectic as well, it goes from pop to country to electro, there's something for everyone. We're trying to get it released overseas and see what happens over there.''

After moving into a jazz and funk trio in his post-Australian Idol career, Whitehead has now put together a pop band to showcase Losing Sleep.

��I hadn't played a show for a year and a half and it was like not having sex for a year and a half,'' Whitehead says.

��I've released. I have to be playing live. I feel like a whole musician again.''







More info

Friday 8 August 2008

Steinway Q2 Revenue Up 7%

WALTHAM, Mass., Aug. 5 /PRNewswire-FirstCall/ -- Steinway Musical
Instruments, Inc. (NYSE: LVB), i of the world's leading manufacturers of
musical instruments, today proclaimed results for the quarter and sextet months
over June 30, 2008.

Revenues for the second quarter rose 7% over the prior year period on
the strength of gross revenue in both the banding and pianissimo segments as well as $0.9
million in sales from a new online music business. As anticipated, overall
gross margins decreased, from 31.0% to 29.5%, due to $0.6 trillion of
severance costs for band imbed closures and $0.4 million of costs
associated with a shutdown at the domestic piano constitute taken to control
inventory levels. Operating expenses increased 8% as compared to the prior
year period primarily due to $1.1 1000000 of costs related to band installation
rationalization. Net interest expense decreased 10% due to lower borrowings
during the quarter. The Company posted EPS of $0.35 and Adjusted EPS of
$0.47 compared to Basic EPS of $0.37 in the second quarter of 2007.
Adjustments are detailed in the connected financial tables.

Revenues for the six-month period increased 4% and gross gain
increased more or less to $56.4 zillion. Operating income declined 6% as costs
associated with band facility rationalization and piano plant shutdowns
negatively impacted results. On an Adjusted ground, EBITDA improved 7%,
reflecting improvement in band fabrication efficiency absent the impact
of implant closure costs.

Band Operations

Band sales for the quarter increased $3.1 million, or 8%, over the
prior year period as the business realized revenue increases in all major
production categories. Gross margins reduced from 22.7% to 21.8% as a result
of severance costs associated with previously announced plant closures.
Adjusted margins improved to 23.2% for the quarter.

The Company recently sold its clarinet facility in France and moved
production to its woodwind facility in Indiana. No break costs were
incurred as the existing workforce transferred to the new possessor. In the
second quarter, the Company recognized rigid asset damage charges of
approximately $0.9 1000000 related to this sales event.

For the six-month geological period, unit shipments of higher priced professional
instruments returned to prior year levels. However, delayed deliveries from
offshore suppliers had a negative impingement on whole shipments of student
instruments for the first half of the year. The resulting product mix
contributed to an increase in gross margin from 21.4% to 21.7%, despite
$1.0 million of rupture costs in the period.

Piano Operations

Piano revenues for the second quarter increased $2.2 million, or 4%.
Worldwide, unit shipments of Steinway grand pianos remained degree with the
prior year period. Domestically, shipments of Steinway magisterial pianos
increased 10% over the prior year period. Overseas, the Company saw a 9%
decrease in shipments of Steinway grands due to the absence of a large
institutional sale which was recorded in the second quarter of 2007.
Excluding that sale, overseas unit shipments would have increased 10%.

Unit shipments of mid-priced pianos declined 15% as compared to the
second quarter of 2007. This decrease is in the main a final result of unusually
high shipments in the second quarter of 2007 when many dealers took initial
speech of the re-launched Essex piano railway line. In order to control inventory
levels of Steinway pianos, the Company operated its New York pianoforte factory
under a rock-bottom production schedule during the second quarter of 2008. This
action negatively impacted double-dyed margins, which declined from 36.7% to
35.1%.

For the six-month period, piano revenues increased 4%. Steinway grand
building block shipments declined 7% and mid-priced pianoforte unit shipments remained
level with prior year. Sales remained potent in China and former Eastern
Bloc countries, somewhat mitigating the impact of sonant demand in the United
States. Gross margins for the six-month period decreased from 36.3% to
34.8% in the first place as a result of lower production levels at the Company's New
York piano plant.

Comments

CEO Dana Messina discussed the Company's results, "We are very pleased
with our results for the second quarter. In the midst of band implant
consolidation and a unmanageable U.S. economy, both the band and piano
divisions posted increased sales for the period."

Messina added, "We ar nearing completion of our band adroitness
rationalization and expect to start realizing improved profitability from
our plant consolidation efforts in the fourth quarter of this year.
Regarding revenue expectations, our band instrument orders were up slightly
through June. Solid order rates coupled with less plant disruption should
result in improved sales for 2008."

Discussing management's outlook for piano operations, Messina said,
"While we had decent domestic shipments of Steinway grands this quartern,
there is much precariousness in the current worldwide economic expectation. Over
the next six months, we have a bun in the oven worldwide piano sales to be in line with
last class. We plan to continue a reduced production schedule at our
domestic forte-piano facility in the third base and fourth quarters."

Conference Call

Management will be discussing the Company's second quarter results and
mind-set for the remainder of 2008 on a league call today beginning at
5:00 p.m. ET. A live webcast and an archive of the call will be available
to all interested parties on the Company's website,
hypertext transfer protocol://www.steinwaymusical.com.

About Steinway Musical Instruments

Steinway Musical Instruments, Inc., through its Steinway and
Conn-Selmer divisions, is one of the world's leading manufacturers of
musical instruments. Its notable products include Bach Stradivarius
trumpets, Selmer Paris saxophones, C.G. Conn French horns, Leblanc
clarinets, King trombones, Ludwig trap drums and Steinway & Sons pianos.
Through its online music retailer, ArkivMusic, the Company as well distributes
authoritative music recordings.

Non-GAAP Financial Measures Used by Steinway Musical Instruments

The Company uses the non-GAAP measuring Adjusted EBITDA, which it
defines as earnings before net interest expense, income taxes, depreciation
and amortization, adjusted to exclude non-recurring, infrequent, or unusual
items. The Company uses Adjusted EBITDA because it is useful to management
and investors as a amount of the Company's essence operating performance in
that it eliminates the impact of items that ar either out of in operation
management's control or are otherwise unrelated to how well the Company is
completing its manufacturing and operating responsibilities. In addition,
the Company uses Adjusted EBITDA as the footing for deciding bonuses for
its managers.

The Company also believes Adjusted EBITDA is helpful in deciding the
Company's ability to encounter future debt service, washington expenditures and
working capital requirements as it factors out non-cash expenses such as
depreciation and amortization. The Company's domestic course credit agreement,
which provides for borrowings up to $110.0 jillion and is a material credit
agreement to the Company, contains a lower limit Fixed Charge Coverage Ratio
which is based on Adjusted EBITDA. A minimum ratio of 1.1 to 1.0 is
required to be met if the Company has had less than $20.0 million of
availability on its stock of credit in the last thirty days. At the terminal of
the most recent period the Company had remaining borrowing availability on
the line of credit of $107.5 meg (net of letters of credit) and
therefore this covenant did not apply. Should this covenant apply and not
be met, the Company could be required to make immediate repayment of its
line of credit entry borrowings, if it were unable to obtain a waiver from the
lenders.

There ar tions in the employment of Adjusted EBITDA because the
Company's actual results do include the impact of the noted Adjustments.
Accordingly, Adjusted EBITDA should be secondhand as a supplement to the
comparable GAAP measures and should not be construed as a reserve for
income from operations or 8,601 - 8,601
Piano gross gain 19,964 - 19,964
Total gross profit 28,565 - 28,565

Band GM% 22.7% 22.7%
Piano GM% 36.7% 36.7%
Total GM% 31.0% 31.0%

Operating expenses 20,516 - 20,516

Income from operations 8,049 - 8,049

Interest disbursal, net 2,523 - 2,523
Other (income) expense, net (21) - (21)

Income before income taxes 5,547 - 5,547

Income tax provision 2,394 - 2,394

Net income $3,153 $- $3,153

Earnings per part - basic $0.37 $0.37
Earnings per share - diluted $0.36 $0.36
Weighted average common shares - basic 8,521 8,521
Weighted average common shares - diluted 8,662 8,662

Notes to Reconciliation of GAAP Earnings to Adjusted Earnings
(1) Reflects employee breach costs associated with plant closures.
(2) Reflects facility rationalization costs due to the impairment of
plants in Elkhorn, WI and France.
(3) Reflects the tax effect of Adjustments.



STEINWAY MUSICAL INSTRUMENTS, INC.
Reconciliation of GAAP Earnings to Adjusted Earnings
(In Thousands, Except Per Share Data)
(Unaudited)

Six Months Ended 6/30/08
GAAP Adjustments Adjusted
Band sales $80,518 $- $80,518
Piano gross revenue 111,302 - 111,302
Online music sales 887 - 887
Total sales 192,707 - 192,707

Band double-dyed profit 17,478 1,003 (1) 18,481
Piano double-dyed profit 38,720 - 38,720
Online music gross gain 239 - 239
Total gross gain 56,437 1,003 57,440

Band GM% 21.7% 23.0%
Piano GM% 34.8% 34.8%
Online euphony GM% 26.9% 26.9%
Total GM% 29.3% 29.8%

Operating expenses 44,806 (1,062)(2) 43,744

Income from operations 11,631 2,065 13,696

Interest expense, net 4,433 - 4,433
Other (income) expense, net (619) 636 (3) 17

Income before income taxes 7,817 1,429 9,246

Income tax provision 2,797 529 (4) 3,326

Net income $5,020 $900 $5,920

Earnings per share - introductory $0.59 $0.69
Earnings per share - diluted $0.58 $0.68
Weighted average common shares - basic 8,580 8,580
Weighted average mutual shares - diluted 8,664 8,664


Six Months Ended 6/30/07
GAAP Adjustments Adjusted
Band gross revenue $78,382 $- $78,382
Piano sales 107,307 - 107,307
Total gross sales 185,689 - 185,689

Band gross net profit 16,803 - 16,803
Piano gross lucre 39,002 - 39,002
Total gross net profit 55,805 - 55,805

Band GM% 21.4% 21.4%
Piano GM% 36.3% 36.3%
Total GM% 30.1% 30.1%

Operating expenses 43,389 - 43,389

Income from operations 12,416 - 12,416

Interest disbursement, net 4,675 - 4,675
Other (income) expense, net (191) - (191)

Income before income taxes 7,932 - 7,932

Income tax provision 3,349 - 3,349

Net income $4,583 $- $4,583

Earnings per share - basic $0.54 $0.54
Earnings per share - diluted $0.53 $0.53
Weighted average common shares - basic 8,470 8,470
Weighted average coarse shares - diluted 8,622 8,622

Notes to Reconciliation of GAAP Earnings to Adjusted Earnings
(1) Reflects costs (primarily employee severance) associated with plant
closures.
(2) Reflects facility rationalization costs due to the impairment of
plants in Elkhorn, WI and France.
(3) Reflects a gain on early extinguishment of debt.
(4) Reflects the tax gist of Adjustments.



STEINWAY MUSICAL INSTRUMENTS, INC.
(In Thousands)
(Unaudited)


Reconciliation from Cash Flows from Operating Activities to Adjusted EBITDA

Three Months Ended Six Months Ended
06/30/2008 06/30/2007 06/30/2008 06/30/2007
Cash flows from operating
activities $5,315 $(4,547) $3,036 $(16,539)
Changes in operating assets and
liabilities 1,961 10,780 7,844 25,856
Stock based compensation expense (266) (379) (511) (643)
Income taxes, net of deferred
tax benefit 1,504 2,949 4,146 5,256
Net interest expense 2,276 2,523 4,433 4,675
Provision for doubtful accounts (119) (592) (472) (718)
Other (56) (20) (335) (67)
Non-recurring, infrequent or
unusual cash charges 571 - 1,003 -
Adjusted EBITDA $11,186 $10,714 $19,gross $17,820



Reconciliation from Net Income to Adjusted EBITDA

Three Months Ended Six Months Ended
06/30/2008 06/30/2007 06/30/2008 06/30/2007
Net income $3,045 $3,153 $5,020 $4,583
Income taxes 1,452 2,394 2,797 3,349
Net interest disbursement 2,276 2,523 4,433 4,675
Depreciation 2,519 2,448 5,006 4,821
Amortization 261 196 459 392
Non-recurring, quent or
unusual items 1,633 - 1,429 -
Adjusted EBITDA $11,186 $10,714 $19,gross $17,820




More information

Tuesday 1 July 2008

Jessica Alba - Albas Brother Coos About Beautiful Baby


LATEST: JESSICA ALBA's newborn daughter is "beautiful" reports the actress' brother Josh, who has visited mother and baby.

The actress gave birth to Honor Marie - her first child with husband Cash Warren - at Los Angeles' Cedars-Sinai Medical Center on Saturday (7Jun08).

She was allowed home on Monday (09Jun08) and has been visited by family members including Josh, 25.

He tells Usmagazine.com, "I'm ecstatic. I have seen her, and she is very beautiful."

When asked who the baby most resembles, he replies, "I can never tell with newborns. There are not really any features. I can't tell yet."

Josh adds his sister "is doing great" and Warren "is one of the happiest men alive right now".





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Thursday 19 June 2008

Sondheim, Guare, Durang, Lucas head NY's Public Theater season








NEW YORK - The Public Theater's 2008-09 season will feature some of the best-known names in American theatre including Stephen Sondheim, John Guare, Christopher Durang and Craig Lucas, among others.

The season, announced Thursday by artistic director Oskar Eustis, will include the long-awaited New York premiere of "Bounce," the Sondheim-John Weidman musical seen in 2003, in a different production, at Chicago's Goodman Theatre and the John F. Kennedy Center for the Performing Arts in Washington.

The Public's version, opening in October, will be directed by John Doyle, who has directed recent Broadway revivals of Sondheim's "Sweeney Todd" and "Company." Doyle currently is represented on Broadway with the musical "A Catered Affair." "Bounce" deals with the American Dream and two brothers' attempts to reinvent themselves as they pursue it.

The Public's fall season will also include "If You See Something Say Something," created and performed by Mike Daisey at Joe's Pub, the Public's intimate cabaret space. In the show, Daisey looks at the Department of Homeland Security and what it means to feel safe.

A third fall offering will be "Taking Over," Danny Hoch's examination of New York's never-ending gentrification and its consequences for those who are displaced. Tony Taccone directs.

The winter will bring the world premiere of John Guare's "A Free Man of Color," set in New Orleans during the time of the Louisiana Purchase. Directed by George C. Wolfe, the play will star Mos Def and Jeffrey Wright and feature a parade of famous people including Napoleon, Josephine, Jefferson and Talleyrand.

Spring offerings include the world premiere of Durang's black comedy, "Why Torture Is Wrong, and the People who Love Them," the tale of a woman who wonders about her husband's possible terrorist connections, particularly when he drinks.

Also on the schedule is Tracey Scott Wilson's "The Good Negro," a highly personal story set against the backdrop of the 1960s civil rights movement. The play is a co-production with the Dallas Theater Center.

A third spring offering is "The Singing Forest," a look by Lucas at three generations of one family. Bartlett Sher, director of the current Broadway revival of "South Pacific," directs.

And, looking even farther ahead, one of the Public's free offerings in Central Park next summer will be Nicholas Ruddall's adaptation of Euripides' "The Bacchae," directed by JoAnne Akalaitis and featuring music by Philip Glass.










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Thursday 12 June 2008

Jaramar

Jaramar   
Artist: Jaramar

   Genre(s): 
Folk
   



Discography:


Que Nadie, Nadie Creera El Incendio   
 Que Nadie, Nadie Creera El Incendio

   Year: 2002   
Tracks: 11


A Flor de Tierra   
 A Flor de Tierra

   Year: 1999   
Tracks: 12


Lenguas   
 Lenguas

   Year: 1998   
Tracks: 11


Si Yo Nunca Muriera   
 Si Yo Nunca Muriera

   Year: 1997   
Tracks: 10


Fingir Que Duermo   
 Fingir Que Duermo

   Year: 1995   
Tracks: 15


Entre La Pena Y El Gozo   
 Entre La Pena Y El Gozo

   Year: 1993   
Tracks: 14




 





Richard Hawley added to End Of The Road line-up